Compton and Long Beach Now You Know Youre in Trouble
Nuthin' Only a "Chiliad" Thang
past Dr. Dre
Lyrics
Gimme the microphone offset, so I tin bust like a bubble
Compton and Long Embankment together, at present you know you in trouble
[Snoop Dogg]
Inquire any existent estate amanuensis, and he or she will tell you the only affair that matters is location, location, location.
Deep ThoughtBefore 1992, the geography of important rap acts was express to a few spots on the map, mainly New York and diverse neighborhoods of Los Angeles. With the success of groups like North.W.A. and rappers like Ice-T and Too Curt, though, rap music that was previously limited by region began to aggrandize and garner national acclaim.
"Nuthin' But a 'Thou' Thang" is the vocal that essentially put Long Beach on the rap world map. While Dr. Dre had his start with the World Class Wreckin' Cru and N.W.A. in Compton, his success immune him to move into a mansion in Calabasas, California. And while Dr. Dre never had much more trouble than parking tickets, his recruitment of Snoop Doggy Dogg brought him into collaboration with a real street gangster and his fellow gang members.
Hailing from Long Beach's due east side, Snoop was a Rollin' 20s Crip member who had spent time in prison after high school for cocaine possession. After Due north.W.A., Dre was looking to reestablish himself as a credible creative person. With a huge number of new rappers jumping on the N.W.A. bandwagon hailing from Compton, or even dissing Compton, bringing in Snoop was a wise move. Snoop'due south Long Beach style could evangelize a cool period while owning the hardcore lyrics.
Expiry Row is the label that pays me
[Snoop Dogg]
Since 1978, 13 inmates have been executed on California's expiry row, and there are currently effectually 700 inmates awaiting execution. (Source)
Deep ThoughtDeath Row Records was founded by Suge Knight, a former babysitter for Dr. Dre and a longtime member of the Bloods gang. Dre's former record label, Ruthless Records, was supposedly founded with $25,000 in drug coin secured by Eazy-E. To showtime his own label, Suge Knight enlisted the aid of a criminal defense attorney and an incarcerated businessman, who was a client on entreatment for attempted murder. If Ruthless was founded on the backs of addicts, Decease Row was created with threats, intimidation, and mortality.
When Dre became disillusioned with his Ruthless situation, Eazy refused to let Dre out of his contract, along with ii other Ruthless artists, The D.O.C. and Michel'le. So Suge Knight "negotiated" a deal with Eazy-E and Ruthless co-founder Jerry Heller. Legend has information technology that, in a situation ripped correct from The Godfather, Suge informed Eazy that he was holding Jerry Heller captive in a van and passed Eazy a note that just stated, "I know where your mama stays."
Eazy never shied away from talking about that night—according to him, faced with the pick between letting Dre go and losing his life, he chose the former and later sued Suge Knight for coercion in releasing Dre. At present free to pursue its musical vision, Death Row Records became the dominant rap characterization of the 1990s, with Dre, Snoop, The Dogg Pound, Warren One thousand, and later 2Pac turning out hit later hit. Zilch lasts forever, though, and the fall was just as dramatic as the rise: Knight'due south street tactics eventually alienated Dre and created rifts between the artists, and by 2000, every major artist had left.
Well if it'southward good enough to get broke off a proper chunk
I'll have a small piece of some of that funky stuff
[Snoop Dogg]
Dre and Snoop aren't botanists, merely they are talking about plants.
Deep ThoughtThat funky stuff they're referring to is marijuana. The cultivation of marijuana for recreational smoking has produced unlike plant strains with differing levels of toxicity, depending on the treatment it receives during preparation. Information technology'southward from this marijuana culture that Dre took the name for his anthology, The Chronic.
Chronic, every bit marijuana, is a mix of the cannabis sativa and cannabis indica plants, which in their natural form, practice not accept as many cannabinoids that produce a pharmacological high. The chronic that Dre and Snoop refer to is generally treated with an extra dose of the primary reactive chemical, tetrahydrocannabinol, also known as THC.
As a chemistry term, chronic can also refer to the toxic effects from exposure to a reactive agent. Viewed in this sense, Dre's The Chronic represents a musical reactive agent, designed to take listeners to some other level of musical intoxication and immerse them in G-Funk.
That Dre embraced this theme for The Chronic and his follow-up, 2001, is somewhat surprising, as he had previously rapped "I nevertheless limited / yo I don't smoke weed or cess / cause its know to requite a brother brain damage / and brain harm on the mic don't manage" on the N.W.A. song, "Express Yourself."
It's similar this and like that and similar this and uh
It'due south like that and similar this and like that and uh
It'due south similar this and like that and like this and uh
[Dr. Dre and Snoop]
"What we cannot speak virtually, we must pass over in silence."—Ludwig Wittgenstein
Deep Idea"Nuthin' But a 'G' Thang" never really says what that "thang" is. At all-time, nosotros get a few references to "gettin' funky on the mic," which suggests that the "Yard" thang is all most being a "G," and the thangs that Gs do, any those are.
Possibly a lilliputian Wittgenstein can articulate this up. Austrian philosopher Ludwig Wittgenstein published his well-nigh famous work, the Tractatus Logico-Philosophicus (Logical-Philosophical Treatise) in 1921. Wittgenstein was a logical atomist, pregnant he believed the world was understood linguistically through "facts" (example: "the ocean is bluish"), which were in turn made upward of "objects" (the "ocean" and "blue").
It's easy to brand sense of the statement, "the ocean is blue," just that doesn't tell us the whole story: the "ocean" is actually made upwards of lots of things (animals, h2o, plant life, microorganisms, etc.) that aren't described by the term "ocean," just they're included in our understanding of the term. Likewise, the term "bluish" describes a color state that results from ecology elements. As such, Wittgenstein concluded that language was inadequate for the description of objects, despite the fact that we empathize linguistic communication. In a mode, language can only "show" or "demonstrate," but never truly "describe."
The illustration here is that language is more similar an image. And that's exactly what Dre and Snoop give us in the chorus: "it'south like this and similar that and like this and uh..." The "this" and the "that" are never specifically identified, but the impression that "Nuthin'" leaves with the listener is that Yard-ness is a combination of many elements: smoothness (the music), gettin' funky on the mic (letting loose, swagger), location (Compton and Long Embankment), and doing...something.
Fallin' back on that a-s, with a hellified gangsta lean
gettin' funky on the mic like a ol' batch of collard greens
[Snoop Dogg]
Mm, funkiness. Whether it's P-Funk or Yard-Funk, funkiness tin can be experienced through sight, sound, sense of taste, touch, and odour.
Deep ThoughtWhen Snoop mentions the batch of collard greens, he'south referencing a traditional African-American cuisine that goes back to the beginnings of the slave merchandise. Today, it's commonly known every bit soul nutrient. Collard greens are a staple of soul food, along with kale, mustard greens, turnips, beets, and the fattier portions of hog meat, including pigs' feet, intestines, stomach lining, and the jowls.
Considering slaves (in both Europe and America) were harvesting nutrient and disposed animals that were primarily meant to sustain the master'south household and earn a turn a profit at market, slaves were fed from the worst of the harvest and given the leftovers of animal slaughters. Typically, the food was heavily seasoned with salts and spices to add together flavor and ensure preservation when there was no refrigeration.
These scraps had little nutritional value and a high fat content, so by necessity, slaves had to become creative with food training. While soul food is seen today as a category of ultra-rich and decadent nutrient to indulge in, its inception stems from the oppression of African slaves who worked to feed people, only were ultimately denied the fruits of their own labor.
Pimpin' hoes and clockin' a grip like my name was Dolomite
[Snoop Dogg]
Continuing to evidence that he is a child of the 1970s, Snoop references Dolemite (Dol-eh-might), a pimp character created by comedian Rudy Ray Moore.
Deep ThoughtDolemite is a 1975 blaxploitation film, with a plot to match the characteristic wackiness of funk music. Dolemite is trying to regain control of his nightclub after being gear up up by a rival pimp, Willie Light-green, and a couple of kleptomaniacal cops. With his karate-chopping hookers by his side, he sets out for revenge in one case he's released from jail.
If that storyline sounds ridiculous and full of stereotypes, that'south considering information technology is. The 1970s saw a wave of films that made light of the harsh weather condition of urban neighborhoods (other examples are Willie Dynamite, Superfly, and The Mack). While pimps and prostitutes and drug dealers were existent issues in the cities, blaxploitation films made these issues into farce. These films were partly inspired by a human named Robert Brook, who in 1969 published a book called Pimp: The Story of My Life under the pseudonym Iceberg Slim.
The volume detailed the incredibly cold and sadistic world of pimping, a life Beck lived from age eighteen to xl. According to Beck, he earned the proper noun Iceberg Slim because he stayed "ice cold" during a gunfight at a bar, finishing his drink fifty-fifty when a bullet went through his hat. The book is notable for its unflinching view of women as purely sources of money and sexual pleasure, and the means Beck would employ to ensure he retained power over them.
The image of the pimp as having power (specially over women) is a common trope in rap, and makes many appearances in Dre and Snoop'southward songs. Past referencing Dolemite, Snoop places himself in a lineage of pimps who play it cool and brand money, putting themselves above all others.
Source: https://www.shmoop.com/nuthin-but-a-g-thang/lyrics.html
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